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A contribution of Korean traditional theater to liturgical expression- [e-book]
A contribution of Korean traditional theater to liturgical expression- [e-book]
자료유형  
 학위논문
저자명  
Kim, Seung Nam.
서명/저자  
A contribution of Korean traditional theater to liturgical expression - [e-book]
발행사항  
Claremont, CA : Claremont School of Theology, 1992.
형태사항  
156 p.
주기사항  
Advisers: Jack Coogan; Dan D. Rhoades; Andrew Sung Park.
주기사항  
Source: Dissertation Abstracts International, Volume: 53-09, Section: A, page: 3048.
학위논문주기  
Thesis (D.Min.)--Claremont School of Theology, 1992.
초록/해제  
요약 : Korean churches have adopted traditional Western theologies without considering the religio-cultural heritage of Korea. Therefore, the Korean churches have become strongly biased against traditional religions and various theatrical traditions. Korean Christianity, although very Western in its liturgy and appearances, is obviously quite shamanistic in its belief and behavior. Shamanistic-rooted Korean traditional theater such as t'alch'um (mask-dance drama) and p'ansori (mono-opera) are unique forms of traditional theater in Korea. In the Korean traditional theater, shinmyong is a special artistic experience characterizing the popular aesthetic consciousness of the Korean people. Shinmyong gives rise to the birth of the people's enthusiastic and participating worship, whether on an individual or a group level. The shinmyong is comparable to the Western Christian liturgical experience. Shinmyong is an embodiment and incarnation of the Spirit innate in each and every person. The Church of Korea should acknowledge these theatrical phenomena as unique resources for the Christian liturgical theology. For the future, this artistic liturgical experience of shinmyong will contribute directly to the development of the Korean church worship.
기타 저자  
Claremont School of Theology.
수록지명  
Dissertation Abstracts International. 53-09A.
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Control Number  
chimsin:346625
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