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141
Schubert's Innovations in Sonata From : Compositional Logic and Structural Interpretation
Schubert's Innovations in Sonata From : Compositional Logic and Structural Interpretation
Sly, Gordon | Yale University Press | 2001
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142
Further Observations on Stacked Canon and Renaissance Compositional Procedure : Gascongne's Ista est speciosa and Forestier's Missa L'homme arme
Further Observations on Stacked Canon and Renaissance Compositional Procedure : Gascongne's Ista est speciosa and Forestier's Missa L'homme arme
Burn, David | Yale University Press | 2001
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143
On the Nature of Enlargement
On the Nature of Enlargement
Alegant, Brian | Yale University Press | 2001
Naver
144
Special Cases of the Interval Function Between Pitch-Class Sets X and Y
Special Cases of the Interval Function Between Pitch-Class Sets X and Y
Lewin, David | Yale University Press | 2001
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145
(Letter to the Editor)A Reply to Brian Hyer
(Letter to the Editor)A Reply to Brian Hyer
Rothstein, William | Yale University Press | 2003
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146
Schoenberg's "Single Second of Maximum Spiritual Excitement" : Compression and Expansion in Erwartung, Op. 17
Schoenberg's "Single Second of Maximum Spiritual Excitement" : Compression and Expansion in Erwartung, Op. 17
Whitney, Kathryn | Yale University Press | 2003
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147
End-Accented Phrases : An Analytical Exploration
End-Accented Phrases : An Analytical Exploration
Temperley, David | Yale University Press | 2003
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148
The Progression Vector : Modelling Aspects of Post-Tonal Harmony
The Progression Vector : Modelling Aspects of Post-Tonal Harmony
Nauert, Paul | Yale University Press | 2003
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149
Chromaticism, Form, and Expression in Haydn's Quartet Op. 76, No. 6
Chromaticism, Form, and Expression in Haydn's Quartet Op. 76, No. 6
Baker, James M. | Yale University Press | 2003
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150
Narrative Archetypes : A Critique, Theory, and Method of Narrative Analysis
Narrative Archetypes : A Critique, Theory, and Method of Narrative Analysis
Almen, Byron | Yale University Press | 2003
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